Dog eat dog.
Dog eat dog.
It’s dog eat dog–I’m just waking up
The dove is in the dungeon
And the white-washed hawks pedal hate and call it love
Dog eat Dog
Holy hope in the hands of
Snakebite evangelists and racketeers
And big wig financiers
Dog eat Dog
On prime time crime the victim begs
Money is the road to justice
And power walks it on crooked legs
Prime–Time–Crime
Holy hope in the hands of
Snakebite evangelists and racketeers
And big wig financiers
Where the wealth’s displayed
Thieves and sycophants parade
And where it’s made–
the slaves will be taken
Some are treated well
In these games of buy and sell
And some like poor beast
Are burdened down to breaking
Dog eat dog
It’s dog eat dog, ain’t it Flim Flam man
Dog eat dog, you can lie, cheat, skim, scam
Beat’em any way you can
Dog eat Dog
You’ll do well in this land of
Snakebite evangelists and racketeers
You could get to be
A big wig financier
Land of snap decisions
Land of short attention spans
Nothing is savored
Long enough to really understand
In every culture in decline
The watchful ones among the slaves
Know all that is genuine will be
Scorned and conned and cast away
Dog eat dog
People looking, seeing nothing
Dog eat dog
People listening, hearing nothing
Dog eat dog
People lusting, loving nothing
Dog eat dog
People stroking, touching nothing
Dog eat dog
Knowing nothing
Dog eat dog
joni mitchell
One needs to think back on how truly bleak things were back in 1985 to fully appreciate this album. The Reagan dream was in full flower, and people wanted to grab as much as they could and screw everyone who wasn’t fortunate enough to be at the trough. In typical Joni Mitchell fashion, she sets her sights squarely on the Yuppies and gives them both barrels. The lyrics are bitter, cutting, and sometimes she even points the mirror at herself and comes up short of her own expectations. But that’s what brave artists do. As far as the music itself, when you see that Joni invites Thomas Dolby into the studio to add keyboards, you know you’re not going to get “Both Sides Now”. Sometimes it works as on “Truth”, and sometimes it doesn’t as on “Smokin’”. I don’t listen to this one a lot, but when I do, I find something interesting about it.
Overall, Dog Eat Dog is her best and most fully-realised ’80s record. The songs are of high quality, and the level of ambition and originality is healthy here. It does not deserve the drubbing it usually gets from critics and even Joni Mitchell fans. You can’t compare it to Blue or Court and Spark because it’s a different album. Every Mitchell record is different, and this is her sleek, polished, interesting, intriguing, and enjoyable statement of life in 1980s America.

PM note: I remember this tune. Love Joni too. What’s different between 1985 and this year? My first impression upon reading the words before I realized it was JM, I thought it was a hip-hop tune. Love Run-DMC too.
via rate your music design observer













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Maureen Adams
October 17th, 2008 at 10:57 pm
Friday Ark #213…
We’ll post links to sites that have Friday (plus or minus a few days) photos of their chosen animals (photoshops at our discretion and humans only in supporting roles). Watch the Exception category for rocks, beer, coffee cups, and….? Visit all the …